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The e-commerce side of things i'm handling thru BandCamp. Basic CD prices are in the £6-£9 range, inc UK postage (bit more overseas). All BandCamp downloads are cheaper, of course.
'staged' is the third Bloodcog album, recorded live in Manchester and Liverpool, September 2024.It's beautiful, calm, abrasive, ugly - sometimes all at once.
Fran Bass - electric bass, Richard Harding - chapman stick and classical guitar, Phil Hargreaves - saxes/flute,
Richard Harrison - drums and objects, Pete Smyth - electronics and loops.
whi 019
Not all the basic tracks for 'exoskeleton' got used - but what was left was too good to bin, so we turned it into a quartet album. Less electronic than 'exoskeleton', more of a 'jazz' album, almost.
Fran Bass - electric bass, Richard Harding - chapman stick, Phil Hargreaves - saxes/flute/EWI, Richard Harrison - drums and objects.
whi 018
'exoskeleton', the second album by Bloodcog. Bloodcog is now a five-piece: Fran Bass - electric bass, Richard Harding - chapman stick and classical guitar, Phil Hargreaves - saxes/flute, Richard Harrison - drums and objects, Pete Smyth - electronics and loops. It's funkier than the first one, and according to Corey Mwamba on Radio 3, a "swagger".
whi 017
'the imperfection of crowds' by Malchamech, a rocky improv trio of Richard Harding (chapman stick), Phil Hargreaves (saxes/flute) and Richard Harrison (drums/percussion).
whi 016
This is the third Graculus album, and as well as the usual offering of chamber/classical influenced improvisation, Richard Harding has taken the raw materials of the album and created a 48 minute ambient soundscape from them:
As it's a double, it's a little more expensive, but still only £9 for a pair of contrasting sonic experiences.
Richard Harding: guitar/chapman stick
Phil Hargreaves: tenor/soprano saxes/flute & instruments
whi 013
Maggie Nicols: voice/piano/keyboards/sound manipulation
Phil Hargreaves: saxes/flute/cello/bass/sound manipulation
£6 incl.P&P in the UK
whi 012
Richard Harding: classical/electric guitars
Phil Hargreaves: soprano sax/flute
34 improvised miniatures, recorded in 2011
Available as a 'pay what you want' download, or as a silver disk.
whi 011
Richard Harding: classical/electric guitars
Phil Hargreaves: soprano sax/flute
Available via Bandcamp as a 'Pay What You Want' download
whi 010
the first compilation of sounds from the cadavre esquis international collaboration website, formed into a whole by phil hargreaves. Featuring sounds from eleven musicians across the world.
whi 009
barry
chabala - acoustic guitar and laptop
phil hargreaves - tenor sax
two disks, intended to be played simultaneously on two players, both set to shuffle.
whi 008
sixteen tracks - two disks' worth of music
whi 007
thirteen tracks from various contributors to the freejazz.org website
whi 006
phil
hargreaves: voice, guitars, cello, flute
Glenn Weyant: kestrel 920, prepared guitar, piano
whi 005
Barry
Chabala: chaos guitar/phil hargreaves: voice/dada
poetry/Bill Marconi: prepared vibraphone and drumset/Glenn
Weyant: prepared piano & mixing/Mike Yarrish: upright
bass
whi 004
phil
hargreaves: saxes, flute, voice, cello, programming
lee noyes: drums, guitar, erhu
whi 003
bret
hart: guitars, panjo, prepared guitar, hose-bone samples,
organ, bell loops
phil hargreaves: tenor/soprano/mezzo-soprano saxes, flute,
xaphoon, processing
whi 002
amere3 are rob dainton: drums, simon fell: bass, phil hargreaves: saxes/flute
studio album recorded in parr st studios, liverpool in june 2000. much more than a high-energy thrash, the emotional range runs from delicate to intense.
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whi 001
folio one
folio one is a collection of compositions for large-scale improvising group. fully road tested on the liverpool-based frakture big band, titles include :
intimate
fugue for the considered moment
unevensong
cogs
through the air
invention for scratch the upsetter
pop music
available as a pdf file - email for details
LR 407
Caroline Kraabel: alto sax & voice
Phil Hargreaves: tenor/soprano sax & flute
'Where We Were (Shadows of Liverpool)' is a CD on the
Leo label, which represents the culmination of four years' work.
We recorded in significant and/or unusual acoustic
locations in Liverpool, letting the environment have a say in
the shape of the music. Then we stitched the recordings together
to make an extended electro-acoustic composition, an amalgam of
snap decision making and considered construction.
nerve 001
phil
morton: guitar/treatments ** phil hargreaves: saxes/flute
recorded nov/dec 1997
bonehouse were very influential on the Liverpool Improv scene - a "joyfully gritty noise", according to Musings. Hear why, on their only studio set.
